A thought-provoking, singularly strange and absorbing novel.
A desperate villager’s quest to become Zimbabwe’s newest executioner kicks off this intriguing debut horror novel involving man-eating plants, organ harvesting and other uncanny oddities.
Abel Muranda is a devoted family man determined to do whatever it takes to feed his starving rural family, even if it means journeying far into the big city on foot in the hope of landing a job as the government’s hangman. Meanwhile, Zimbabwe’s ruling elite is in an uproar because someone has created a batch of carnivorous flame lilies capable of digging up the dead—and the government’s ghastly secrets, as the plants have been unearthing unmarked graves. Nothing is as it seems in Chiveneko’s science-fiction–tinged tale, which introduces readers to a lethal cast of bad guys and bad girls with tangled motivations. One intriguing subplot follows a man charged with creating a special gallows to be used for executions; he uses discarded weapons of war as his raw materials and would rather spend time cuddling up to his cold, metallic creation than to his warm, loving wife. At nearly 500 pages, this intricately woven novel is a disconcerting parable exploded to epic proportions. The author renders its many characters, from the mad genius responsible for the impending botanical apocalypse, to the prostitute/undercover operative who falls in love with Abel, to the seemingly simple Abel himself, with frightening subtlety and detail. One member of the elite, called Doll Eyes, is described as follows: “Planted into the lower part of his skull was a jaw of menacing proportions. If someone ever tried to mug him at gunpoint, all he had to do was clench it. This alone would demoralize the robber.” The boughs of this arboreal shocker threaten to creak under the weight of its ever-mounting plot, but they never quite crack. Instead, readers are left wondering just how deep the roots go.
A thought-provoking, singularly strange and absorbing novel.Pub Date: Feb. 22, 2013
ISBN: 978-1481211932
Page Count: 490
Publisher: CreateSpace
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 15, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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