A rousing triptych of poetry as a weapon against apathy, ignorance, and inaction.
A poet and activist who founded the nonprofit organization Poetic People Power puts poetry performance on the page in this collection of shows.
For Bracco, poetry is how people come to understand the stakes of what’s happening in the world around them. To celebrate the 20th anniversary of the organization she founded, she presents transcriptions of three of its collaborative spoken-word shows, grounded in three great threats to society: climate change, misogyny, and human rights abuses. In an introduction, she shares her own journey as an artist in 1990s New York City, during which her work “didn’t fit neatly into literary or slam poetry,” but she was determined to continue creating. The result was an organization that, like poetry, eludes easy definition. These three works combine poetics, research, history, activism, and theatrical elements; two were produced on Zoom due to pandemic-related precautions. Each includes a collective opening scene with commissioned poets each writing their own works (sometimes collaboratively) on the show’s themes. While not all the poems are compulsively rereadable without the energy of performance, Bracco and her collaborators largely present works whose urgency translates well to the page. Bracco’s scene from “While We Were Sleeping,” about human trafficking, is a good example: “And I re-learn a truth that I already know: / women are always vulnerable. / And the line between safety and danger is so thin / like the slice of the knife mark he left on her neck, / but the damage is longlasting / like the crush of broken bones that ache / for years after.” A poem by Karla Jackson-Brewer from the show “Can You Hear Me Now?” about her enslaved ancestors is similarly powerful: “She is compelled, / Driven by an urge / So primal and transgressive. / SHE WILL RISK / Slave patrols and whip / To find it.” Art and artists sound alarms on social issues that governments either don’t see or ignore, and this book shows how they might continue to make noise to help change the world.
A rousing triptych of poetry as a weapon against apathy, ignorance, and inaction.Pub Date: Feb. 15, 2024
ISBN: 9781960329233
Page Count: 182
Publisher: Cornerstone Press
Review Posted Online: April 1, 2024
Kirkus Reviews Issue: May 15, 2024
Review Program: Kirkus Indie
A dauntless, moving account of a kidnapping and the horrors that followed.
Enduring the unthinkable.
This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.
A dauntless, moving account of a kidnapping and the horrors that followed.Pub Date: Oct. 7, 2025
ISBN: 9780063489790
Page Count: 208
Publisher: Harper Influence/HarperCollins
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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