A thoughtful, well-grounded cultural history.
A wide-ranging study of self-creation.
Burton, a novelist, scholar of theology, and essayist, examines the idea that we have the power “to remake ourselves and our realities” to reflect our desires. Organized chronologically, from the Renaissance to internet influencers, the author’s investigation charts “an increasingly disenchanted world” in which humans lost faith that God created each individual’s unalterable personality. Rather, they came to believe in their own power of self-transformation. Burton cites German painter Albrecht Dürer, for example, as an artist who “forged a personality that sustained and advertised his work, even as his work— constantly emblazoned with his trademark—advertised the man. “Dürer-the-artist, Dürer-the-portrait, and Dürer-the-advertiser all mutually reinforced one another.” In Regency England, the “middle-class upstart” Beau Brummell saw fashion as a means to social and political influence. “The perception of the right people at the right time,” he understood, “was at the heart of this new avenue toward power. Perception was something that the clever and intrepid could learn how to shape.” Rather than reflect social station, fashion came to express individual personality as well as political identity. In 1859, acclaimed orator Frederick Douglass lectured on the “Self-Made Man,” asserting that work was the key to remaking the self. Burton’s well-populated history features figures such as Thomas Edison, “one of the canniest self-promoters”; the outrageous Oscar Wilde; and writer Elinor Glyn, inventor of the term it, defined as “a blend of raw sex appeal, Wildean dandyism,” and “quasi-magical personal magnetism.” The quality of “it” lay at the heart of a burgeoning celebrity culture. Perhaps the oddest group of self-creators are extropians, “interested in optimizing every aspect of human existence, transforming the body into the best possible machine” through technology. The author concludes that our search for self-definition is ultimately a search for what it means to be human: vulnerable and inextricably interconnected.
A thoughtful, well-grounded cultural history.Pub Date: June 27, 2023
ISBN: 9781541789012
Page Count: 288
Publisher: PublicAffairs
Review Posted Online: April 3, 2023
Kirkus Reviews Issue: May 1, 2023
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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