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THE YIELD

A story woven from profound, overlooked historical material that’s sadly marred by sloppy execution.

An Aboriginal woman uncovers her heritage, and her painful past, to save her family’s home.

August Gondiwindi, a dishwasher in London, receives word that her grandfather Poppy Albert has died and knows she must return to Massacre Plains, the small Australian town her family has lived in for generations—a place she hasn’t visited in years: “Go back full with shame for having left, catch the disappointment in their turned mouths, go back and try to find all the things that she couldn’t find so many thousands of kilometres away.” She arrives at the family farm, Prosperous House, and as she helps her grandmother Elsie prepare food and clean for the large collection of aunts and uncles gathering for the funeral, she runs into former classmates and old flames and wrestles with her long-dormant grief at the disappearance of her sister, Jedda, who vanished when August was 9 and Jedda, 10. She also discovers that this may be the last time she sees her childhood home—her grandmother will soon be forced out of Prosperous House because a company plans to open a large tin mine on the land. Interwoven with August’s story are two other narrative strands: a lengthy letter from the Rev. Ferdinand Greenleaf, who founded the mission that eventually became Prosperous House to “build a home of safety for the poor waifs and strays,” and sections from a dictionary Poppy Albert was compiling of their family’s native language before his death, which includes words from the author’s ancestral Wiradjuri language. Albert’s entries are easily the most charming parts of the book. “The dictionary is not just words—there are little stories in those pages too,” he writes, and the same is true for his own effort, which weaves in reminiscences of meeting Elsie, fond memories of raising Jedda and August, and stories from his ancestors. But August’s chapters suffer from a lack of clarity; it’s often difficult to understand why events are significant, especially in the novel’s more dramatic latter half. Too often, it’s simply that the sentences are bewildering: “When the previous evening, like a virus, the true rumour that Rinepalm Mining had set an open day at the town hall filtered into the Valley, and back streets, the men and women, though on the edge of heatstroke, leapt from their houses and headed into town.”

A story woven from profound, overlooked historical material that’s sadly marred by sloppy execution.

Pub Date: June 2, 2020

ISBN: 978-0-06-300346-0

Page Count: 352

Publisher: HarperVia

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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