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I THOUGHT THIS WAS A BEAR BOOK

It’s capably enough executed, but there are no surprises here.

An extraterrestrial spaceship crashes into the “Goldilocks” fairy tale in this mashup metafictive picture book.

Prince Zilch, from Planet Zero, is unexpectedly bumped out of his book and into Goldilocks & 3 Bears, where his presence alters the plot considerably. Determined to find his way back to his own book, he enlists the help of the bewildered bears, who were picking blueberries (being sick of porridge) when the alien landed. The familiar trappings of the “Goldilocks” story are put into service with this new plot: the three chairs are balanced one on top of the other to try to boost Prince Zilch out of the confines of the book—and Baby Bear’s chair breaks. Next, the three mattresses are stacked into a makeshift trampoline, and the bears make reference to their springiness (“That’s what you think,” Goldilocks mutters). Davies’ flattish, colorful illustrations, dotted with variously colored speech bubbles, keep the visual stimulation high, but they cannot keep the story, with its overdependence on subversive Goldilocks-fairy-tale digs, from wearing thin. And when, in a metamoment, Baby Bear enlists the help of readers, entreating them, “Can you shake the book? Go ahead, shake it! Then turn the page!” it is less of an eye-opener in this popular subgenre and more of a “been there; done that.”

It’s capably enough executed, but there are no surprises here. (Picture book. 3-7)

Pub Date: Aug. 4, 2015

ISBN: 978-1-4424-6307-3

Page Count: 32

Publisher: Aladdin

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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