No skating on thin ice here—it’s a winner.
A girl in a hood glides into a new version of an old story.
Little Red (refreshingly, a winsome child of color) is one dazzling ice skater. Trouble is, her skates are so shabby and tight they might soon keep her from her weekly visits to Grandma’s. Then a pairs competition is announced, with new skates as the prize. New problem: everyone else seems to be partnered up already—Hansel with Gretel, the Dish with the Spoon, for example—or is unsuitable. Red dashes to Grandma’s for ideas. However, the Big Bad Wolf frightens her, and she skates away with lightning speed, nearly taking a nasty spill. Not to worry: Wolf rescues Red, compliments her prowess, and points out his own worn-out skates. Can you guess who’ll be Red’s partner? The day of the event, Wolf terrifies all the other competitors, but he’s redeemed when Red declares they’re a pair. Their spins and twirls leave everyone else in the, er, dust, and Mother Goose is on hand to award them their brand-new skates. Readers up on popular fairy tales and nursery rhymes will savor and chuckle at the sly visual and textual allusions to a host of well-known characters from these familiar childhood tales. The author also humorously works (and twerks) well-known phrases from these stories and rhymes into her text. The colorful retro illustrations are aptly cartoonlike, portraying characters, Red in particular, with large innocent eyes, befitting make-believe, updated protagonists.
No skating on thin ice here—it’s a winner. (Picture book. 4-7)Pub Date: Oct. 27, 2015
ISBN: 978-0-385-37006-6
Page Count: 40
Publisher: Random House
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
The snappy text will get toes tapping, but the information it carries is limited.
Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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