A dramatic look at the Pilgrims as seen through women’s eyes.
Ten years after founding the first Pilgrim settlement, the colonists are forced to address the strife that roils beneath their utopian dreams.
It’s an August morning in the Plymouth colony, the year 1630. It’s been 10 years since a group arrived on the Mayflower to start life afresh, and today is a day of great anticipation: A fresh wave of people is expected to arrive. Alice Bradford, wife of the colony’s governor, William, is especially anxious. On this new ship will be her stepson, the child left behind by William and his first wife, Dorothy, when they undertook the perilous Mayflower journey. Alice remains haunted by Dorothy’s death, which occurred under mysterious circumstances, and feels guilt for having usurped her childhood companion for the powerful role of William Bradford’s wife. But the day is full of anticipation in other ways, too. Nesbit (The Wives of Los Alamos, 2014) uses alternating narrators, chiefly Alice Bradford and Eleanor Billington, the wife of a disgruntled, disillusioned colonist, to show the tension and unrest building among those in charge of the fledgling settlement and those who are chafing against the powerful. A murder will be committed by the time this August day has come to a close, and by the time it does, the settlers will question whether or not they are truly “fashioned in God’s favor,” as they once believed. Although the pacing here can be off-putting (the buildup to the promised disaster is long; the climax, too short) and the sensitively rendered but still peripheral role that the Wampanoag Tribe plays could have used more development, Nesbit’s novel has all the juicy sex, lies, and violence of a prestige Netflix drama and shines surprising light on the earliest years of America, massive warts and all.
A dramatic look at the Pilgrims as seen through women’s eyes.Pub Date: March 17, 2020
ISBN: 978-1-63557-322-0
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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