Although this pretty book holds a sweet sentiment, it’s not substantial enough to satisfy.
Winsome animals greet each other from across the gutter in this Japanese import.
Two creatures meander about on opposite sides of a double-page spread until a page turn joins them at the gutter, suddenly bringing two monkeys’ hands together and two goldfish face to face. Even readers who might normally gloss over book design will notice and appreciate the fresh way Miura has used the book’s layout to connect the friends. Circle-headed humans join the mix on the final three spreads, with a beguiling child cuddling cheek to cheek with Mommy before Daddy also appears at the lovefest on the following spread. (These humans have pale skin and brown hair.) All the most elemental features are exaggerated on the flat, cartoonlike representations, all sitting on minimally detailed backgrounds that draw the eye to the duos. White ducks silhouetted against rich blue have enormous golden bills, pointy little tails, and vague lines that suggest wings. Unfortunately, while it works visually, it fails textually. Each pair has an original salutation to share with each other, but the resulting statements are so clunky that it’s a struggle to read aloud: “Fish swim HELLO! / …by touching noses.” Also problematic is the confusion about which animal greetings are fabricated and which are real. Some are accurate, such as the elephants that shake trunks, but ducks do not “quack HI! / …by tapping beaks.”
Although this pretty book holds a sweet sentiment, it’s not substantial enough to satisfy. (Board book. 1-3)Pub Date: Dec. 24, 2018
ISBN: 978-1-4521-7087-9
Page Count: 22
Publisher: Chronicle Books
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Leave the hopping to Peter Cottontail and sing the original song instead.
An Easter-themed board-book parody of the traditional nursery rhyme.
Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.
Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)Pub Date: Jan. 5, 2016
ISBN: 978-1-4814-5621-0
Page Count: 16
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: July 1, 2016
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