by Taro Miura ; illustrated by Taro Miura ‧ RELEASE DATE: May 12, 2015
Originally published in Japan, the story has an offbeat sensibility that may particularly appeal to lovers of anime, emoji,...
A geometric kaleidoscope of digital images and collage forms the bones of this winsome tale.
The king and queen have no children, but they love and care for the flowers in their garden. One night, the king dreams of a white bird, who tells him he will find a princess in his garden but that she is under a wicked spell. The next day, the king finds a tiny, fully formed girl child, small enough to sleep on a feather. But the next day, she needs a ring box and the day after that, a teacup. She keeps growing and growing until she is too big for the castle! In the highest, biggest tower (it’s a foldout), she keeps growing until the tower itself begins to break apart. But the king sees a seed in her belly button through a (miraculously well-placed) tower window. He climbs the crumbling tower and pops the seed out, and his daughter is restored! (She is still quite tall indeed; her parents come only to her waist.) The figures are made of circles, triangles, and half moons; the princess is blonde, while her parents have black hair, and the many flowers are rendered in splashy patterns. And the seed? The king and queen plant it, and it becomes a field of sunflowers, which adorn the final page and the endpapers.
Originally published in Japan, the story has an offbeat sensibility that may particularly appeal to lovers of anime, emoji, and that Japanese fondness for cuteness, kawaii . (Picture book. 4-8)Pub Date: May 12, 2015
ISBN: 978-0-7636-7459-5
Page Count: 40
Publisher: Candlewick
Review Posted Online: Feb. 22, 2015
Kirkus Reviews Issue: March 15, 2015
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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