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TASHA TUDOR'S SAMPLER

A TALE FOR EASTER, PUMPKIN MOONSHINE, AND THE DOLLS' CHRISTMAS

Three of Tudor's quaint holiday tales, first published separately—which would seem a more appropriate format for a seasonal goodie. Most insipid is the first story, "Waiting for Easter," about the dream of a wee fawn, little lambs, ducklings, etc., that "you" will have on the night before—"But. . . only if you have been good and can find the dust on daffodils with your eyes tight shut." That leaves most of us out. Though still mincing, the Halloween story (from 1938) has a pinch of old-fashioned humor and genuine coziness: "Pumpkin Moonshine" (you might call it Jack-O-Lantern) is what a good little girl named Sylvie Ann wants to make—and does, but not till the pumpkin she finds in a field rolls away (Bumpity Bump Bump!) down the hill, through the barnyard and "right into Mr. Hemmelskamp who was carrying a pail of whitewash!" "The Doll's Christmas," all about the preparations Laura and Efner make for the Christmas tree, dinner, gifts, etc., of their lavishly housed dolls Sethany Ann and Nicey Melinda, is the only one of the three cast in then (1950) modern dress—but Tudor can't resist putting everyone into "old-fashioned clothes" for the climactic marionette performance. Ruffles and lace, for other adults who equate children's holidays with sweets and nostalgia.

Pub Date: May 12, 1977

ISBN: 0679204121

Page Count: 99

Publisher: McKay

Review Posted Online: May 11, 2012

Kirkus Reviews Issue: May 1, 1977

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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