by Tatsuya Miyanishi ; illustrated by Tatsuya Miyanishi ; translated by Mariko Shii Garbi ‧ RELEASE DATE: Dec. 1, 2016
Only the coldblooded will fail to be moved by this poignant story.
Innocent trust turns a domineering bully into a caring protector who makes the ultimate sacrifice in this prehistoric tale of personal growth.
Tyrannosaurus delights in terrorizing the other dinosaurs, boasting, “Weaklings are worthless. The strongest rules, and I am the strongest,” as he grabs, chomps, and treads on those smaller than he. Eventually age and some agile younger foes catch up with him, leaving him wounded and convinced that life is meaningless. A gaggle of baby triceratops and a case of mistaken identity lead Tyrannosaurus to a critical turning point: he can stick with his old ways and turn them into tasty snacks, or he can be the baby-cuddling, fruit-eating dinosaur they believe he is. Tyrannosaurus’ stooped posture and rheumy eyes help blunt his fearsome appearance in the boldly lined and colored illustrations, and the baby triceratops are positively adorable. Miyanishi (You Are My Best Friend, 2016, etc.) has his protagonist face aggressors and lay down his life for these babies, one of whom grows up to share the wisdom of his example with his own children: “Violence isn’t the answer. There is something more powerful than strength, and more precious too. That is love.” It is refreshing to see male characters behaving in physically and emotionally nurturing ways, and the underlying message that it is never too late to change is valuable indeed.
Only the coldblooded will fail to be moved by this poignant story. (Picture book. 4-8)Pub Date: Dec. 1, 2016
ISBN: 978-1-940842-14-1
Page Count: 40
Publisher: Museyon
Review Posted Online: Oct. 25, 2016
Kirkus Reviews Issue: Nov. 15, 2016
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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