A strong, thoughtful first novel that hews to time-honored fiction traditions, rooting a voyage of personal discovery in beautifully rendered particulars of character and place. We don—t know exactly what kind of trouble 20-year-old Harley Altmyer is in when the story begins with him being interrogated by police officers, but we quickly learn that he’s seen plenty of bad times already. It’s been two years since his mother went to jail for shooting his father, and two now dead-end jobs are barely enough to support Harley and his three younger sisters in a dying western Pennsylvania town poisoned and abandoned by the coal industry. Sixteen-year-old Amber screws every guy in sight, daring Harley to do anything about it. Twelve-year-old Misty, favorite of their deceased father—which means he beat her more than he did the other three’seems not to care about anything. Six-year-old Jody writes notes to herself (—FEED DINUSORS/ EAT BREKFIST—) and keeps secrets she’s not quite aware she possesses. Harley keeps his court-mandated appointments with a psychiatrist, but resists her efforts to make him open up. Smart and sharply funny though he is—hardly anyone catches his irony—Harley is trapped in the man’s role he knows is a crock but can—t let go. O—Dell does an impressive job of getting inside the head of a member of the opposite sex, creating a first-person narration of painful veracity as Harley rants against his mother and defends his father (—He didn—t like his job, but he went to it every day . . . . He was a flesh-and-blood man who couldn—t stand it if you spilled something—). The dysfunctional dynamics of a family scarred by domestic violence and incestuous longings lead to some luridly melodramatic twists, but the author’s compassion and love for her characters shine throughout. When O—Dell’s plotting achieves the maturity of her character development, she’s going to write a really extraordinary novel. This one is pretty darn good. (Book-of-the-Month Club main selection)
Pub Date: Jan. 1, 2000
ISBN: 0-670-88760-9
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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