Like McCarthy's Border Trilogy or Frazier's Cold Mountain, this is American literature at its best, full of art and beauty...
Drawing from the shadows of America's epic tragedy, the Civil War, Brown's debut novel offers a tale of endurance and love in the face of adversity.
Teenage Callum, fleeing an Irish workhouse and an American orphanage, rides as part of the Colonel's Confederate partisan troop. In Virginia's mountains, they fight for “no reason but hunger and the Colonel's orders,” with “nothing but viciousness to keep them alive.” During a raid, Callum saves Ava, age 17, from rape, but he's wounded by a fellow partisan gang member. Only later does he learn Ava was raped—by the Colonel. That spurs him to desert the gang and return to Ava's house. The Colonel pursues Callum, intent on reclaiming his magnificent horse, Reiver, which Callum stole. Reunited, Ava and Callum, weary of violence and death—a “land full of all these haunts, sorely displeased at the meager terms of their departure”—set out for Callum's distant relative on south Georgia's seacoast. Finding the Colonel dead at Ava's farm (and not knowing he was killed by a trio of outlaws, not by Callum), the gang wants revenge. Led by the Colonel's slave-hunter brother, Clayburn, they pursue. In an epic saga of endurance and sacrifice rendered in a voice wholly Southern in dialect, rhythm, and reference, the narrative follows the pair as they approach Atlanta aflame—"churning in great towers against the sky, monuments raised as if to the wrong kind of god"—and follow Sherman's March to the Sea. Ava and Callum, heroes to cheer for, live among other memorable characters, including Swinney, who once saved Callum from the shipwreck of a Cape Fear blockade runner; Lachlan the Alchemist, a near-blind moonshiner who provides temporary refuge; and a nameless old woman in a rocking chair, knitting amid fiery destruction, waiting for her only surviving son to return from war.
Like McCarthy's Border Trilogy or Frazier's Cold Mountain, this is American literature at its best, full of art and beauty and the exploration of all that is good and bad in the human spirit.Pub Date: Jan. 12, 2016
ISBN: 978-1-250-07797-4
Page Count: 288
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2015
Kirkus Reviews Issue: Nov. 15, 2015
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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