Like McCarthy's Border Trilogy or Frazier's Cold Mountain, this is American literature at its best, full of art and beauty...
Drawing from the shadows of America's epic tragedy, the Civil War, Brown's debut novel offers a tale of endurance and love in the face of adversity.
Teenage Callum, fleeing an Irish workhouse and an American orphanage, rides as part of the Colonel's Confederate partisan troop. In Virginia's mountains, they fight for “no reason but hunger and the Colonel's orders,” with “nothing but viciousness to keep them alive.” During a raid, Callum saves Ava, age 17, from rape, but he's wounded by a fellow partisan gang member. Only later does he learn Ava was raped—by the Colonel. That spurs him to desert the gang and return to Ava's house. The Colonel pursues Callum, intent on reclaiming his magnificent horse, Reiver, which Callum stole. Reunited, Ava and Callum, weary of violence and death—a “land full of all these haunts, sorely displeased at the meager terms of their departure”—set out for Callum's distant relative on south Georgia's seacoast. Finding the Colonel dead at Ava's farm (and not knowing he was killed by a trio of outlaws, not by Callum), the gang wants revenge. Led by the Colonel's slave-hunter brother, Clayburn, they pursue. In an epic saga of endurance and sacrifice rendered in a voice wholly Southern in dialect, rhythm, and reference, the narrative follows the pair as they approach Atlanta aflame—"churning in great towers against the sky, monuments raised as if to the wrong kind of god"—and follow Sherman's March to the Sea. Ava and Callum, heroes to cheer for, live among other memorable characters, including Swinney, who once saved Callum from the shipwreck of a Cape Fear blockade runner; Lachlan the Alchemist, a near-blind moonshiner who provides temporary refuge; and a nameless old woman in a rocking chair, knitting amid fiery destruction, waiting for her only surviving son to return from war.
Like McCarthy's Border Trilogy or Frazier's Cold Mountain, this is American literature at its best, full of art and beauty and the exploration of all that is good and bad in the human spirit.Pub Date: Jan. 12, 2016
ISBN: 978-1-250-07797-4
Page Count: 288
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2015
Kirkus Reviews Issue: Nov. 15, 2015
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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