Stevens’ novel wanders a little, particularly at the end, but the writing is stellar, the heroine grittier than Lara Croft...
Stevens debuts with a tightly written thriller woven around an uncommon heroine with a knack for putting facts together and coming up with the right answers.
Vanessa Michael Munroe is both beautiful and androgynous at the same time. A chameleon by nature, she is Munroe to some, the boy Michael to others and Nessa to a very select few. Munroe hires herself out to glean information for international businesses. She has an encyclopedic and logical mind that stores, sorts and processes information. She can pass for a man or woman, whichever suits her purposes, and most important of all, she has a facility for languages that once sent the CIA calling to recruit her. It’s this ability to pick up a language after a short exposure that makes her adversaries underestimate her. That, and of course, her violent past, which also gives her a hard edge, as well as the skills to kill without remorse or second thought. Munroe is hired by oil tycoon Richard Burbank to find out what happened to his stepdaughter, Emily, who disappeared in West Central Africa four years ago. Burbank sends along a babysitter, Miles Bradford, to help Munroe and report back to him. Munroe resents Bradford; she grew up in this part of Africa and not only speaks the dialects but also understands the geography, culture and politics. Still, the money that’s offered is interesting and Munroe likes a challenge, so she takes the case, and plunges into the heat, chaos and treachery of countries run by dictators and greed. For a while the pair seems to be on the right track, but soon things go very wrong and Munroe finds herself facing her past and having to make a choice that she doesn’t want to contemplate. When it comes down to the pivotal moment, Munroe won’t know whom to trust and whom to kill.
Stevens’ novel wanders a little, particularly at the end, but the writing is stellar, the heroine grittier than Lara Croft and the African setting so vivid that readers can smell the jungle and feel the heat—a gifted debut with much promise.Pub Date: March 8, 2011
ISBN: 978-0-307-71709-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: Jan. 1, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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