An astonishing collection of stories about life in contemporary China by a Chinese American writer.
Chen, a reporter for the Wall Street Journal, has an eye for the wry, poignant detail in her fiction debut: Elderly men who meet in the park to play chess bring their pet birds along, hanging the birdcages from tree branches while they play. Most of the stories are set in China. In one, a young girl who works in a flower shop becomes dangerously interested in one of her customers. In another, an older man in a remote village tries to build a robot and, later, an airplane. Whether her characters are women or men, young or old, Chen displays a remarkable ability to inhabit their minds. She is gentle and understanding with her characters so that their choices, desires, and regrets open up, petal-like, in story after story. Often, in the background or off to the side, a hint of violence will make itself known: A young man’s twin sister is arrested and beaten by the police; a woman’s abusive ex-boyfriend appears without warning, and she remembers his old penchant for harming animals. A young man borrows money to invest in the stock market, and as his hopes begin to plummet, he learns the details of his father’s traumatic past. Again and again, Chen reveals herself to be a writer of extraordinary subtlety. Details accrue one by one, and as each story reaches its inevitable conclusion, a sense emerges that things could have gone no other way. Still, there’s nothing precious or overly neat here. Chen’s stories speak to both the granular mundanities of her characters’ lives and to the larger cultural, historical, and economic spheres that they inhabit. She is a tremendous talent.
Chen’s stories are both subtle and rich, moving and wry, and in their poignancy, they seem boundless.