A rip-roaring thriller wherein the hero must protect both his son and the free world from an erstwhile friend.
Lord (and Commander) Alexander Hawke is a superrich British warrior whose life Vladimir Putin once saved in prison, establishing a friendship that puts them on Alex-Volodya terms. Over drinks, Putin informs Hawke that the Russians have invented a completely new and powerful explosive, Feuerwasser, which looks just like water—or vodka. Soon it’s clear Putin will use this fearsome fluid to intimidate the world and reassert the glory of the old USSR. “He used a thimbleful to vaporize a huge sunken Russian freighter,” Hawke says. Hawke decides to help stop the aggression, but the bad guys know his vulnerability—if they kidnap his 6-year-old son, Alexei, they can neutralize Hawke. Alas for Putin, he mustn’t have read the author’s Warriors, or he would have realized how tough it is to harm Hawke’s child. Along the way are colorful characters Crystal Methenny, a vile siren who has cleavage to die for; Spider Payne, an ex-CIA operative gone bad; and Uncle Joe, a Stalin look-alike. Good guys Ambrose Congreve and Stokely Jones are back, perhaps for the duration of the series, although once again fealty to Hawke proves unhealthful for some. Fans of Ian Fleming’s novels will love Hawke, even if he’s not quite as over-the-top as James Bond. But when Hawke wonders “how the hell to stop a megalomaniac with a weapon like this,” his doubt doesn’t linger. “Here we go again,” he quickly decides. “Alex Hawke, saving the world, one madman at a time,” and the English-speaking world knows it can sleep well at night. Loaded with action and driven by a man of improbably admirable qualities, this adventure is a great escape from reality.
Pub Date: Sept. 15, 2015
ISBN: 978-0-06-227941-5
Page Count: 544
Publisher: Morrow/HarperCollins
Review Posted Online: July 13, 2015
Kirkus Reviews Issue: Aug. 1, 2015
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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