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A.D. 30

Action-adventure, set against the life of Yeshua, the prophet who dared speak against “the way of the world, protected by...

Dekker (Outlaw, 2013, etc.) makes the spiritual real through the fictional Maviah, daughter of Rami bin Malik, Bedu sheikh.

It’s A.D. 30. Maviah has returned from Egypt into her father’s reluctant care. She was born illegitimate, her father’s daughter by a woman from an outcast Bedu tribe; thus, her exile. Now she’s been returned from Egypt because she’s given birth to a baby son “without a suitable husband.” Her father is the Banu Kalb’s great sheikh, but contrary to nomadic traditions, he settled at Dumah in the Northern Arabian desert, allying with his wife’s uncle, Nabataean King Aretas. Now Nashquya, Malik’s wife, dies, her death robbing Maviah of protection and jeopardizing Malik’s power. Aretas gives his support to the Thamud, an aggressive Kalb enemy. Worse, Malik is betrayed by Maliku, his son. As Malik’s overthrown, he dispatches Maviah to Palestine. She’s to convince King Herod to persuade Rome to support the Kalb. Dekker plunges headfirst into this complex scene-setting, thereafter ramping up drama with Maviah’s perilous trek across the desolate Nafud desert. Dekker’s descriptions of the Nafud’s dangers—think Lawrence of Arabia—are powerfully done, as are his portrayals of the perils posed by the clashing customs of Arabs, Jews and Romans in an era when women were property. Dekker’s secondary characters sparkle as well, including the Bedu Judah, a convert to Judaism who’s entranced with Yeshua of Nazareth. A nicely scripted romance develops between Judah and Maviah—“Judah was like water to my heart”—but as Maviah seeks Herod at Sepphoris, she worries she’s “too common to win the favor of a king.” Then she meets Yeshua—“I could not doubt I was looking at more than a mere man.” What follows are machinations at Herod’s court and then pain, imprisonment and swordplay at Aretas’ Petra court, before Dekker offers an ending supporting his announced sequel.

Action-adventure, set against the life of Yeshua, the prophet who dared speak against “the way of the world, protected by position and sword and gold and knowledge.”

Pub Date: Oct. 28, 2014

ISBN: 978-1-59995-418-9

Page Count: 432

Publisher: Center Street/Hachette

Review Posted Online: Aug. 27, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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