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JERUSALEM CREEK

Name: JERUSALEM CREEK
Author: Ted Leeson
ISBN: 1-58574-554-5

JOURNEYS INTO DRIFTLESS COUNTRY

by Ted Leeson ‧ RELEASE DATE: July 1, 2002

A wonder-working landscape, appreciatively rendered.

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A prepossessing journey through Wisconsin’s driftless area in search of fish—though not only fish—that’s as pleasurably meandering as any of the spring creeks found there.

In the southwest corner of Wisconsin lies the driftless area, where the glaciers, for reasons still not understood, failed to reach. Unlike the smoothed country surrounding it, the driftless area is punched, crumpled, and unleveled. Through it, a number of spring creeks run, lovely miniatures: immediate, vivid, intimate waters that Leeson (The Gift of Trout, 1996, etc.) makes it his job to get to know. And he does, acutely. The fish might have drawn him to these locales—to Jerusalem, Emerald, and Mariposa creeks, though the names are all changed to protect the innocent waterways—but it’s not long before Leeson enters into a discriminating rapport with the entire landscape: the clarity, steadiness, and quiet beauty of the water; the hummingbirds; the jewelweed and wild mint; the lay of the land. He gets to know the place by beating the bounds, discerning the areas of specific streams and their environs as they fit his personal notion of perfection, then ranging out, “riding to the hounds of possibility,” with fishing as the spur but not the real deal: The sense of place overrides the throwing of a line on water. Leeson chinks his story with bits and pieces of Midwest sociology and Wisconsin history, stories of his chums, and recountings of those particularly rare days on the streams that “transport us outside of ourselves and envelope us in a kind of perpetual present.” These aren’t the elite spring creeks of Pennsylvania, California, or Montana, but they well afford Leeson a chance to take his bearings and patrol the borders of his own sensibilities. They’ve made a humble transcendentalist memoir of a fly fisherman.

A wonder-working landscape, appreciatively rendered.

Pub Date: July 1, 2002

ISBN: 1-58574-554-5

Page Count: 256

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

Categories:

GENERAL NONFICTION

- BOOK REVIEW
INVENTING MONTANA
by Ted Leeson

- BOOK REVIEW
THE GIFT OF TROUT
edited by Ted Leeson

- BOOK REVIEW
THE HABIT OF RIVERS
by Ted Leeson

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.