Next book

THE HABIT OF RIVERS

REFLECTIONS ON TROUT STREAMS AND FLY FISHING

Casting his line in the wilds of the Blue Mountains of Oregon, fly fisherman Leeson (contributing editor, Fly Rod & Reel; English/Oregon State Univ.) is in his element; but as the Spinoza of the Umpqua he crashes and burns. Leeson spends much of his time fly-fishing the waters of the Northwest for trout, steelhead, and salmon, and he has clearly given his avocation long, deep thought. He often, however—too often—seems to be thinking out loud on the page, his ideas not yet distilled. He can be aggravatingly coy (going fishing is ``nonterminal, participial indefiniteness''), reach too hard (``the salmon run is a confluence of origins and eventualities''), let the fishing get bogged down in overanalysis, and display a dismaying lack of humor. When he finally gets midstream and starts fishing, though, things throttle back and lighten up. This looser, more spontaneous style shows Leeson at his best—observant, inventive, human. Particularly good are his quick sketches of streamside natural history (birds and trout do seem strangely entwined) and the more extended meditations on flies and those who tie them. And readers will crack smiles reading of his unpleasant chance encounters (he wading, they floating) with other fishermen. But then he'll go and kill the pleasure of the moment again with a ham- fisted, pompous discourse on catch-and-release fishing, or muse interminably about the ``geometry'' of this, the ``fixity'' of that—and any rhythm that has been developed slows down and dies. Leeson's prose needs to be brought down to fighting weight, like the type of fly he most admires. Minimally dressed, it could be quite catching.

Pub Date: March 1, 1994

ISBN: 1-55821-300-7

Page Count: 192

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1994

Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview