A thoughtful and evocative collection of tales and poems.
This varied collection of short stories and sonnets delves into themes of life, death, love, and war.
Morrissey opens his thoughtfully crafted book with an introduction recounting the trials and tribulations of self-publishing a book of collected works at a time when streaming platforms are grabbing potential readers’ attention. After plans to traditionally publish a collection fell through, Morrissey was inspired to create Twelve Winters, a press that focuses on innovative stories for avid readers. He stresses that “the worlds created through fictive imagination…will always come…to their fullest fruition via the participation of the reader.” This opens the door to allow readers to bring their own interpretations, and their own inspirations, to the stories and sonnets that follow. The collection is divided into three sections of short stories (“Crowsong Stories,” “Transitional Stories,” and “Early Stories”) and one of sonnets. The first two parts, especially “Transitional Stories,” contain deeply descriptive, imaginative, and sometimes haunting tales; the author excels in setting an atmospheric and natural scene, namely in the evocative stories “A Wintering Place” and “Communion With the Dead,” which wrestle with ideas of life and death in vivid, descriptive prose: “He had the mad notion this was not Angela at all but a stranger staging a malignant prank, or even some otherworld demon toying with his soul.” In the third part, he turns the spotlight toward characters; often, the narrators are flawed men living ordinary lives, and though some rely on tired tropes (such as attractive, empty young women), the stories are short, powerful, and simply written, making the reader’s interpretation an important contribution. The sonnets embrace similar themes of growth and change (“Seedlings,” “Obsolescence”), death (“Shroud,” “Pilgrim,” “Acts,” “Dignity”), and the beauty found in everyday life (“Ingots,” “Symmetry”). Morrissey does an excellent job of blending vastly different stories and sonnets together to create one cohesive color—and then places the paintbrush in the reader’s hand.
A thoughtful and evocative collection of tales and poems.Pub Date: Jan. 27, 2023
ISBN: 9781733194990
Page Count: 310
Publisher: Twelve Winters Press
Review Posted Online: March 31, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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