by Ted Rall ‧ RELEASE DATE: July 15, 2004
Senator Kerry could do worse than to read closely this flurry of smart advice (aside from the author’s fondness for...
Aghast that America has gone to the far-right dogs, editorial cartoonist and columnist Rall wants it back in commonsense—that is, liberal—hands.
Democrats and Republicans alike have ceded the communal moral ground, he writes with particular energy, and radical conservatives are ramped on greed and self-righteousness. What we need at this closing-on-fascism juncture, Rall declares, is a reformed Democratic Party, longtime purveyor of a liberalism that aims to “help the downtrodden, not coddle slackers” and can prudently protect our nation without giving up basic liberties—indeed, that will protect individual rights via the Bill of Rights. America has never been a conservative nation, the author asserts: in the 20th century alone, it tamed the Industrial Revolution with regulation and labor laws, set up a social safety net, fought fascism, expanded civil rights, and lifted the sociopolitical status of minorities. Not perfectly, Rall admits, but at least the angle was correct. Is it right for a CEO to pay himself millions as he lays off thousands, or for someone to kill a man because he is gay or black or Iraqi, or for hospitals to allow people to die because they can’t pay for medical help? It’s not just a matter of statistics, he argues, though those also help prove his point; an instinctive “no” to all of the above is part of the American persona. How has the Republican right virtually consumed the executive, legislative, and judicial branches of government? Because of the Democratic Party’s lack of focus, its lack of cool, its unwillingness to approach politics as a barroom fight rather than a tea party, states Rall. He tenders an encouraging Democratic platform, with winning issues from minimum wage to college tuition to vacation time.
Senator Kerry could do worse than to read closely this flurry of smart advice (aside from the author’s fondness for they-pull-a-knife, you-pull-a-gun politics), which serves as a quick, bracing, and welcome series of wake-up slaps.Pub Date: July 15, 2004
ISBN: 1-932360-22-0
Page Count: 284
Publisher: Soft Skull Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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