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THE HAIRDRESSER OF HARARE

Though at times predictable, this touching debut should not be overlooked.

An uncompromising glimpse into contemporary Zimbabwe through the eyes of a young hairdresser.

This sharp, entertaining, and thoughtful debut is rife with sociopolitical commentary but never loses its humanity. Vimbai, a proud single mother in her mid-20s and the novel’s narrator, is the best hairdresser at Khumalo Hair and Beauty Treatment Salon until a charming and mysterious 22-year-old named Dumisami shows up to fill a vacancy. Though Mrs K, the salon’s owner, is initially skeptical about hiring the young man (“A male hairdresser, who’d ever heard of such a thing?”), Dumi quickly becomes the new favorite of both the boss and the clientele, much to Vimbai’s dismay: “To be dispensable is a woman’s worst nightmare and I was beginning to live it.” Despite this animosity, when Vimbai learns that Dumi is broke and looking for a place to live, she offers to let him rent the extra room in her home. Their relationship takes an unconventional route, and readers might find themselves a few frustrating steps ahead of Vimbai’s belated realizations, especially near the end. Through deceptively simple observations and plain prose, Huchu exposes readers to issues of classism, racism, and homophobia without ever coming across as preachy or heavy-handed. Old and new clash—think Mahfouz’s Midaq Alley—but the novel remains steadfast in its mission to show not tell and keeps its complex cast of characters at its core. The political landscape and climate of the Mugabe regime is ever present without overpowering the narrative and should inspire curious readers to do a little research of their own. 

Though at times predictable, this touching debut should not be overlooked.

Pub Date: Aug. 1, 2015

ISBN: 978-0-8214-2163-5

Page Count: 198

Publisher: Ohio Univ.

Review Posted Online: June 3, 2015

Kirkus Reviews Issue: June 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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