Extraordinary stories that will make readers laugh, shiver, or perhaps both.
Hawkins’ (American Neolithic, 2019, etc.) collection of tales ranges from unnerving SF to exceedingly dark comedy.
Opening with the creepy title story, an unnamed narrator connects online with a woman named Sophie for a steamy cyber encounter. But when he goes to meet her in the flesh, he learns Sophie had died months ago. So to whom had he been talking? Some of the subsequent stories are equally unsettling. In “The Darkness at the Center of Everything,” for example, the sun seemingly vanishes—from the entire world. Hawkins, however, also excels at genres other than SF. The amusing “A Call to Arms” follows a young boy who’s a reluctant participant in his stepfather’s American Civil War reenactment weekends. Watching the stepfather embarrass him in front of “the hottest girl in the whole Middle School” is hilarious, though the ending is a shocker. Similarly, “The Thing That Mattered” plays like a murder mystery, as Hemingway, in 1956 Cuba, tries to identify the person who shot and killed his friend Rick. Despite the multigenre approach, certain topics recur, most notably religion and infidelity. One of the most memorable tales involves the author’s take on the crucifixion of Christ. It’s engrossing without going to extremes; the man on the cross experiences human emotions, such as doubt, but is unquestionably the son of God. As for infidelity, several characters among the stories are—or may be—having extramarital affairs. “Crossed Wires” takes the issue seriously while the hungover and possibly philandering husband in “Like Leonardo’s Notebooks” comes across as a hapless buffoon. Hawkins often uses a first-person narrator, which doesn’t preclude descriptive passages. In one instance, he writes, “The mayor always made me wonder whether there was an extra Stooge who didn’t get through the screen test. He had rubbery lips and pop eyes and really bad hair.” The collection ends fittingly with two very short and very different stories: a farcical comedy trailed by a story featuring the book’s single most disturbing image.
Extraordinary stories that will make readers laugh, shiver, or perhaps both.Pub Date: May 1, 2020
ISBN: 978-1-947041-51-6
Page Count: 202
Publisher: Running Wild Press
Review Posted Online: Jan. 2, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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