Next book

VERY LITTLE SLEEPING BEAUTY

From the Very Little series

Very Little Red Riding Hood (2014) was a miss, Very Little Cinderella (2015) was a score. This spin on “Sleeping Beauty”...

Heapy and Heap bring readers the third Very Little tale.

The tiny toddler protagonist is very excited for her birthday party tomorrow; so excited, in fact, that she can’t sleep at all. In ways that will be familiar to every parent (and that may teach readers some new tricks), she prolongs bedtime with all manner of requests, the final one being a drink in her “special-est” cup. This last stymies Daddy, who can’t find the cup. Rather than falling asleep during the long wait (as many a toddler might), she heads off to search the castle for him. Instead, she finds Aunty Fairy, an outlandishly attired woman with huge poofy pigtails and giant blue-tinted glasses, who has a gift for her. Unfortunately, Very Little Sleeping Beauty mistakes the spinning wheel for a steering wheel and, in her exuberance, breaks it. Aunt Fairy yells, the toddler cries, and Daddy puts things to right. By now, it’s almost dawn, and the girl finally goes to sleep, but she can’t be woken for her party, which is rescheduled as a pajama party that night. The watercolor-and-ink illustrations portray a white family (the party guests are diverse). The fairy-tale elements—the castle home, the spinning wheel gift—seem more than a little out of place.

Very Little Red Riding Hood (2014) was a miss, Very Little Cinderella (2015) was a score. This spin on “Sleeping Beauty” makes it a pattern: miss. (Picture book/fairy tale. 3-6)

Pub Date: Nov. 8, 2016

ISBN: 978-0-544-28279-7

Page Count: 32

Publisher: HMH Books

Review Posted Online: Aug. 16, 2016

Kirkus Reviews Issue: Sept. 1, 2016

Categories:
Next book

THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

Next book

YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

Close Quickview