by Teri Kanefield ‧ RELEASE DATE: April 1, 2001
Set in Bohemia in 1778, this story centers on Rivka Liebermann, a 15-year-old Jewish girl living in the Prague ghetto with her family. Her only desire is to go into the larger city and experience, if only for a few hours, life outside the walls of the Jewish quarter. She manages to escape by wearing her brothers’ clothing, spends the day wandering around and even working, digging potatoes in that alien place where Jews are the enemy. She leaves on two more occasions, to help a young Christian boy who helped her. Unfortunately, characters are cardboard, described rather than created as real people, making it impossible for a reader to identify with the protagonist. Settings lack strong pictorialization and Rivka’s “adventures” are not very adventurous and may strike some readers as foolhardy. That she manages to pass as a young male is a weak notion since she is described as flirtatiously feminine. The writing is stiff and plain, almost as though the author had a list of topics or descriptions she wanted to include and an agenda to meet. Simple sentence after simple sentence gives a numbing effect that further dooms the potential appeal. (Fiction. 9-11)
Pub Date: April 1, 2001
ISBN: 0-8126-2870-5
Page Count: 144
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
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by Candace Fleming ; illustrated by Mark Fearing ‧ RELEASE DATE: Sept. 26, 2017
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...
Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.
Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)Pub Date: Sept. 26, 2017
ISBN: 978-1-101-93406-7
Page Count: 240
Publisher: Schwartz & Wade/Random
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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by Candace Fleming ; illustrated by Deena So'Oteh
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by Candace Fleming ; illustrated by Eric Rohmann
by Sallie Ketcham ‧ RELEASE DATE: March 1, 1999
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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