by Terri A. DeMitchell ‧ RELEASE DATE: Jan. 1, 2013
A worthwhile read that personalizes the conflicts that led to the American Revolution.
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DeMitchell’s YA historical novel is based on American Revolutionary Paul Revere’s legendary ride to Portsmouth, N.H.
When Revere set out to warn the citizens of Portsmouth, N.H., that British regulars were already on their way to Fort William and Mary on New Castle Island to seize the store of gunpowder, many in New Hampshire and Massachusetts immediately responded by taking the fort and imprisoning its soldiers. However, the information was inaccurate. DeMitchell tells the story through the eyes of two young boys, 14-year-old Andrew Becket and 13-year-old John Cochran, set on opposite sides of the conflict as misunderstandings compound and eventually lead to violence. DeMitchell states most of the characters, save for Beckett and the supporting character Joseph Reed, are based on actual people, though the account is fictionalized. Whatever liberties she might have taken with the history, DeMitchell has a talent for the small details that result in a vivid story. Readers feel the rush of the icy Piscataqua River as Beckett tries not to fall off the edge of a barge full of people and the strain of physical work. The story also avoids easy characterizations of heroes and villains; Beckett and Cochran are simply kids trapped in extraordinary circumstances. Gov. Wentworth could easily have been the scapegoat as a native New Hampshire man taking orders from the crown, but he comes across fully rounded. He, too, is trapped as he tries to stay loyal to the king while avoiding violence and advancing free trade in the colonies. DeMitchell’s aim is to provoke thought about the incidents that led to war. Beckett and Cochran feel like real people with real needs rather than handy political constructs or symbols: Beckett wants to avoid conflict and concentrate on bettering himself to get into Harvard, while Cochran feels loyalty to the crown through his father’s position in charge of the defense of Fort William and Mary.
A worthwhile read that personalizes the conflicts that led to the American Revolution.Pub Date: Jan. 1, 2013
ISBN: 978-1932278927
Page Count: 161
Publisher: Mayhaven Publishing, Inc.
Review Posted Online: June 7, 2012
Review Program: Kirkus Indie
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by Katherena Vermette illustrated by Scott B. Henderson Donovan Yaciuk ‧ RELEASE DATE: March 15, 2018
A sparse, beautifully drawn story about a teen discovering her heritage.
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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
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by Katherena Vermette ; illustrated by Scott B. Henderson and Donovan Yaciuk
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by Katherena Vermette ; illustrated by Julie Flett
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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