A quick, pleasant read.
In Karsten’s (Snags and Sawyers: 2000 Miles Down the Arkansas River, 2012, etc.) historical romance, a case of mistaken identity strands a Scottish lass in Colonial Philadelphia.
Impetuous Caroline “Callie” Beaton flees her grandfather’s house in a huff one night, tired of the dull suitors he parades before her. Wandering the docks of Leith, she’s shocked to be bundled into the hold of a ship, mistaken for a young woman who signed a contract of indentured servitude to gain passage to America. Before she knows it, she’s at sea, stranded without anything to prove her true identity; she has no choice but to bide her time until they reach the Colonies, where she can hopefully find a way to contact her family across the Atlantic. Aboard the ship, she befriends other indentured women: blithe, gossipy Peg, and Mary Rawles, whose husband dies during the voyage, leaving her with two small children and a debt to work off. Callie is also drawn to another passenger, handsome Davy McRae, a self-described businessman whose trade remains mysterious. But while she’s attracted to him, getting back home is far more important, and, once in Philadelphia, Callie suffers through her indenture being sold to the Ashers, a wealthy family with a tangled history. The eldest son, Ethan, seems a trustworthy gentleman, and Callie’s overjoyed when he sneaks her paper and ink to write a letter home. Though Ethan promises to send it, there’s no quick reply, and gently bred Callie finds herself working from dawn till dusk, with no thanks from her masters. When the patriarch of the family is murdered, however, she’s the prime suspect and must flee suspicion with none other than Davy McRae. Is their burgeoning romance a distraction from Callie’s homeward mission? Who can she trust in this foreign land? Karsten ably handles the setting, conjuring the sights and sounds of 1754 Philadelphia and the never-ending chores. Callie is likable, if rather too trusting of men, while love interest Davy has a complicated history of his own. Karsten doesn’t break new ground here, but she’s penned an engaging story with some clever plot twists.
A quick, pleasant read.Pub Date: Feb. 10, 2015
ISBN: 978-1458218278
Page Count: 276
Publisher: AbbottPress
Review Posted Online: Dec. 18, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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