A highly effective mood piece for readers willing to skip the last 50 pages.
A failed ballerina’s return home is turned upside down by the appearance of a dead body in her family’s yard.
It gets worse. The woman who’s been beaten to death is Kara Cunningham, the best friend of Esmé Foster, who, forcibly retired two years ago from her chosen career after pushing herself too hard, decides to retire voluntarily from her live-in boyfriend and go back to Graybridge, Massachusetts, where her alcoholic father, Thomas Foster, has cirrhosis of the liver, which amounts to a death sentence. Thomas was behind the wheel when an accident killed his wife, Jennifer, 13 years ago, and the troubled Esmé is traumatized still further by her persistent teenage memory of the unidentified man who leaned in the window of the car in which she’d been trapped with her unconscious father and her dead mother and announced: “I’m going to kill you!” The neighboring Ridleys have been equally messed up ever since Cynthia Ridley, her brain injured from a childhood tumble down a flight of stairs, was sent to a psychiatric facility after a quarrel aboard a boat led to the drowning of her younger sister, Wendy. In chapters that alternate between the viewpoints of Esmé and veteran police detective Rita Myers, who’s saddled with her own family history, Parlato piles on the rumors, menace, and revelations until readers faced with an embarrassment of riches can only watch as one mystery after another is cleared up with disappointingly little logical progression, much less inevitability.
A highly effective mood piece for readers willing to skip the last 50 pages.Pub Date: Dec. 26, 2023
ISBN: 9781496738592
Page Count: 304
Publisher: Kensington
Review Posted Online: Oct. 20, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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