Next book

HIS DREAM, OUR STORIES

THE LEGACY OF THE MARCH ON WASHINGTON

An outstanding supplement to Dr. King’s speech.

“Free at last! Thank God almighty, we’re free at last!” So ends one of the most famous speeches in American history, for which this excellent enhanced e-book provides background and context. 

The struggle for civil rights for African-Americans began the moment the first slave ship entered Chesapeake Bay. Historian Golway (Machine Made: Tammany Hall and the Creation of Modern American Politics, 2014, etc.) and the NBC editors here begin with events that are more recent but still half a century old and more—namely, the tyranny of Alabama lawman Bull Connor and the suppression of voting and other rights for minorities throughout the nation. Younger readers may not be able to conjure the image of water cannons and police dogs from memory, but nearly everyone has at least some familiarity with the event that is at the heart of the e-book: the March on Washington of Aug. 28, 1963. “Officially, it was known as the March on Washington for Jobs and Freedom,” notes Golway, “a title that reflected the event’s emphasis on economic justice as well as civil rights.” That economic aspect has been largely forgotten in the shadow of Martin Luther King’s famed “I Have a Dream” speech, but then, so, too, have many of those antecedent moments. The editors have assembled an impressive gallery of eyewitnesses, participants and observers, with videos of interviews with, for instance, former UN Ambassador Andrew Young, who speaks of “the worst of segregated life,” and Mamie Chalmers, a Birmingham resident arrested in 1963 for trying to buy a sandwich in a bakery that refused to serve blacks, who recalls that simple injustice and the struggle to undo it. The work preserves numerous artifacts, such as tickets to the reserved seating section before the Lincoln Memorial in Washington and the 37-cent commemorative stamp issued in 2005, as well as dozens of photographs. The e-book invites interaction in a couple of ways: by allowing the reader to highlight and annotate and by providing a portal to upload personal memories of the March on Washington to an external website.

An outstanding supplement to Dr. King’s speech.

Pub Date: Aug. 27, 2013

ISBN: N/A

Page Count: -

Publisher: NBC Publishing

Review Posted Online: May 3, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 249


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 249


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 39


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 39


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview