Fair-handed, laudatory without being obsequious, and brimming with potent stories of New York City’s fires and firefighting.
A dramatic history of the men and women in black (with reflective piping) who make up the Fire Department of New York, from Irish-American historian Golway (For the Cause of Liberty, 2000, etc.).
Firefighting has come a long way since New York City was called New Amsterdam and men with leather buckets worked to squelch the flames that routinely licked at its wooden structures. These worthy volunteers, though “honest and sober,” had little by way of tactics and discipline. That changed when the department went professional after the Civil War, Golway writes. A command structure was put in place, and demands were placed on the city to provide the funds necessary to purchase adequate equipment. Each horrific fire—and that is where the author concentrates his attention, from tenement to opera house to the ghastly 1911 Triangle Shirt Waist factory blaze—found the department evolving to meet the needs of a changing city and the municipal government enacting laws to promote fire protection. Golway doesn’t see New York reacting with quite the same vigor these days; he cites the Happy Land social club fire of 1990, which killed 87 people but prompted little official effort to close down other such venues. He does, however, find in the fire department an abiding sense of family and purpose, with such qualities as honor, pride, and integrity still highly prized. Not that there haven’t been breakdowns in those ideals, as any African-American or female member of the department will be able to attest. Golway details their travails and makes sense out of such seemingly picayune grievances as the brouhaha surrounding FDNY’s merger with Emergency Medical Services. He also details a period of great discord during the 1970s, when budgets got slashed as the number of fires (many of them deliberately set) rose precipitously.
Fair-handed, laudatory without being obsequious, and brimming with potent stories of New York City’s fires and firefighting.Pub Date: Sept. 11, 2002
ISBN: 0-465-02740-7
Page Count: 336
Publisher: Perseus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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