Full of sitcom moments and windy dialogue—aging chick lit at its most superficial.
McMillan’s sequel to her popular Waiting To Exhale picks up 15 years later in the lives of the four Phoenix friends—Savannah, Gloria, Bernadine and Robin—still looking for love and happiness as they hit middle age.
It’s 2005 and each of the women is facing a crisis. Formerly overweight Gloria has found domestic bliss until her beloved husband dies in a drive-by shooting on their anniversary. Then she learns she’s about to lose the lease on her wildly successful salon, and that her son Tarik’s unlikable wife turns out to be a child-abusing, law-breaking adulteress. Gloria starts packing the pounds back on. News producer Savannah is newly lonely after divorcing her husband of ten years because she’s bored with him, although his addiction to Internet porn also factors in. Instead of allowing her hard-up sister’s troubled son to visit, Savannah treats herself to a jaunt to Paris, but not before she has a dream blind date with a handsome retired doctor. Shopaholic Robin is the never-married mother of 15-year-old Sparrow, a nauseatingly perfect daughter. (Actually, the fact that none of these women have children who talk back or rebel or disappoint like real children may be the real fantasy wish fulfillment for readers, not the sexy romances.) How Robin’s salary as an underwriter affords her the luxuries and savings she has amassed is glossed over, but then her company downsizes her out of her job. Soon after reconnecting with a “blast from the past” who has shed 40 pounds to become the love of her life, she decides to become a teacher. Bernadine is still recovering from the annulment of her second marriage six years earlier. Her “husband” was a bigamist who swindled her out of a chunk of her alimony settlement from first husband John. She’s closed her café and become addicted to pills, but John and their kids support her when she goes into rehab.
Full of sitcom moments and windy dialogue—aging chick lit at its most superficial.Pub Date: Sept. 7, 2010
ISBN: 978-0-670-02204-5
Page Count: 400
Publisher: Viking
Review Posted Online: Aug. 17, 2010
Kirkus Reviews Issue: Sept. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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