Undercharacterized Leon is the weak link here. Otherwise, McMillan’s combination of boisterous humor and real compassion,...
The sparks fly in McMillan’s latest, a crowded family drama with two midlife crises competing for attention.
Marilyn Grimes suspects she’s premenopausal, but tests show she’s seven weeks pregnant. This is bittersweet news for the narrator, who has spent 23 of her 44 years being a model housewife and mother in her middle-class neighborhood of Oakland Hills, across from San Francisco. She’s raised three kids, now grown, while her engineer husband, Leon, has been a good provider, though the fun has gone out of their marriage. Then new tests show the fetus is dead, which is pure relief for Marilyn, though she still has her hands too full to focus on self-fulfillment: an MFA program, a business venture. Down in Fresno, her mother, Lovey, is becoming senile, and Marilyn’s much younger adopted sister, Joy, can’t cope: A drug addict, she can’t even raise her own two kids, Tiecey and LL, so Marilyn must periodically descend from what Joy derisively calls her “little Cosby world” to help out. That little Cosby world is topsy-turvy too. Not only has Arthurine, Leon’s far from senile mother, who lives with them, suddenly started dating, but one of Marilyn’s sons is home on spring break, bringing his girlfriend and a bunch of homeboys—and staid old Leon is turning into a homeboy himself, looking ludicrous in new baggy jeans. When he announces he’s off to Costa Rica to find himself and may be leaving Marilyn for good, she goes ballistic. McMillan is at her best juggling all these different characters. Bring ’em on! And the zingers are blistering. The second half is less turbulent, until news comes that Joy is dead. Marilyn must decide how to pick up the pieces while heartbreaking little Tiecey almost steals the show.
Undercharacterized Leon is the weak link here. Otherwise, McMillan’s combination of boisterous humor and real compassion, both for the old and the underclass, is deeply impressive.Pub Date: July 19, 2005
ISBN: 0-670-03144-5
Page Count: 380
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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