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TOOLS OF ENGAGEMENT

From the Hot and Hammered series , Vol. 3

A romance between charming characters is sidelined by weighty subplots.

A woman desperate to prove her value to her family’s house-flipping business falls in love with her foreman.

Bethany Castle used to embrace her perfectionist tendencies, but lately, those urges are starting to control her. Even a job she used to love—staging homes for her family’s Long Island construction business—has become stultifying and unsatisfying. Bethany dreams of leading her own project; she knows she's capable of more than selecting paint colors and arranging furniture. When her brother responds to her dream with derision, Bethany furiously quits the business. She starts her own project and hires handsome newcomer Wes Daniels as her foreman. Wes is a recent transplant from San Antonio. When his sister’s marriage disintegrated a few months earlier, she asked him to care for her 5-year-old daughter so she could get her head together. Wes has taken a job working construction, awed and bewildered at how, at 23, he’s settled down into sudden respectability and what feels a lot like fatherhood. Wes thinks his razor-sharp banter with Bethany is flirtation while Bethany is horrified at her wild attraction to a man seven years her junior. Catching wind of the Castle family feud, a TV producer persuades Bethany and her brother to appear on a reality TV show that will judge which one of them flips their house most successfully. Although Bailey creates likable characters and writes snappy dialogue, the subplots about the TV show and Wes’ guardianship of his niece interferes with Bethany and Wes’ emotional development as partners and lovers. The two are conquering their own demons on separate journeys, and their unevenly paced romance only flares to life in the final third of the book.

A romance between charming characters is sidelined by weighty subplots.

Pub Date: Sept. 22, 2020

ISBN: 978-0-06-287293-7

Page Count: 368

Publisher: Avon/HarperCollins

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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DEEP END

A surprisingly sensual sports romance.

A collegiate diver and swimmer secretly pursue kink together, and risk falling in love along the way.

Scarlett Vandermeer is struggling. Despite a successful recovery from the injury that almost ended her Stanford diving career, she hasn’t been able to get her head together, and it’s affecting her performance. Plus, she’s trying to stay focused on getting into medical school. A relationship would be out of the question. By comparison, Lukas Blomqvist is a swimming idol, a record-breaker who wins medals as easily as breathing, and Scarlett has long been convinced he would never look in her direction—until one fateful night when a mutual friend lets slip that they have something unexpected in common: Scarlett likes to be submissive in the bedroom, while Lukas prefers to take a dominant approach. Now, they both know a big secret about each other, and it’s something neither of them can stop thinking about. It’s Lukas who suggests they have a fling—purely physical, just to take the edge off, so Scarlett can get out of her own head and stop overthinking her dives. Initially, their arrangement is easy to stick to, but the more time they spend together, the more Scarlett starts to realize that what she feels for Lukas is more than physical attraction. Complicating the situation is the fact that Scarlett’s friend Penelope Ross used to go out with Lukas, and the longer Scarlett keeps mum about her true feelings for him, the more difficult it is to keep the situation hidden from another person she really cares about. While Scarlett and Lukas’ relationship does begin as a physical one, their deeper psychological connection takes a little too long to emerge amid all the other storylines, resulting in a somewhat rushed resolution. However, Hazelwood’s latest is proof of the depth and maturity that has emerged in her writing over the years, and it highlights her embrace of sexier, more emotional elements than were present in her original STEMinist rom-coms.

A surprisingly sensual sports romance.

Pub Date: Feb. 4, 2025

ISBN: 9780593641057

Page Count: 464

Publisher: Berkley

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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