WRECK THE HALLS

The adult children of two rock stars attempt to reunite their mothers’ band.

Octavia Dawkins and Trina Gallard headlined the band Steel Birds in the 1990s. When they were pregnant at the same time, they had an epic fight that destroyed both the band and their friendship. Octavia’s son, Beat, and Trina’s daughter, Melody, grew up in the spotlight, but Beat was fawned over by the press, while Melody’s awkward teenage years made her the object of derision and disdain. Thirty years after the band’s dramatic and mysterious breakup, its biggest hit is experiencing a resurgence of popularity. Beat and Melody agree to appear on a livestreamed reality show in which they'll try to broker a reunion, hopefully to culminate in their mothers’ appearing on stage together on Christmas Eve. Beat plans to use the money to pay off a blackmailer threatening to reveal a shameful family secret, while Melody hopes to shake up her strained relationship with her mother. The palpable, intense chemistry between Beat and Melody turns them into instant celebrities, leading fans to embrace their on-camera romance with even more intense fervor than the possible Steel Birds reunion. Bailey’s novel delivers madcap, humorous adventures, including a delightful reunion for Trina and Octavia. However, as characters, Beat and Melody seem out of sync with the plot. Both are bitterly aware of the cruelty of fame, so it's hard to believe they would willingly subject themselves to the kind of scrutiny required by an all-day livestream. An uncomfortable subplot links traumatic experiences during Beat’s teenage years to his sexual proclivities as an adult. Eventually, everything is tied up with a bow, but the easy resolutions for so many long-standing feuds and family dramas feel pat and unearned.

Much like the holiday itself, this Christmas romance has its ups and downs.