Kirkus Reviews QR Code
THE TWINS by Tessa De Loo Kirkus Star

THE TWINS

by Tessa De Loo & translated by Ruth Levitt

Pub Date: Aug. 1st, 2000
ISBN: 1-56947-200-9
Publisher: Soho

The impassioned memories of German twin sisters separated in childhood and ever afterward by “the silly obstacles tossed up by history”: that’s the core of this brilliant 1993 novel by a hitherto untranslated Dutch writer.

Anna and Lotte Goudriaan, born in Cologne, are effectively orphaned in early childhood (in the “Interbellum” following WWI) when their mother’s death and their father’s mortal illness send resourceful Anna to be brought up on her grandfather’s farm in a nearby village, and frail Lotte to live with an uncle’s family in the Netherlands. Except for two brief reunions before and after the subsequent war, they live far apart until the 1990s, when by sheer chance they meet again as elderly patients at a spa in Belgium. At first mutually wary, they exchange detailed memories of each other’s past: Lotte’s survival of German occupation during WWII in a household that hides fugitive Jews from the Nazis (an echo of The Diary of Anne Frank) and Anna’s more overtly dramatic life as domestic slave to her choleric relatives (at whose hands she suffers a savage beating that leaves her permanently infertile), chambermaid to an aristocratic anti-Hitler family, wife of a doomed young SS officer, and embittered Red Cross nurse during the war’s final days. De Loo quickly establishes a hypnotic narrative rhythm, juxtaposing the sisters’ richly detailed contrasting reminiscences against their tenuous renewed intimacy, eroded by Anna’s scorn for Lotte’s essentially safe passage through the crucible of conflict and the latter’s barely concealed contempt for Anna’s stubborn solidarity with “ordinary” German people. Has there ever been, one wonders, a more imaginative and moving dramatization of the human cost of the divisions and destruction wreaked by Hitler’s madness? Quite likely not. De Loo’s profoundly elegiac closing pages are a triumph of compassionate empathy, not only for both “sides,” but also for each of these magnificently realized women’s sorrows, sacrifices, and capacity to somehow endure.

A flat-out masterpiece: exhilarating and unforgettable.