A delightful entertainment with a wit too rarely seen now in fiction.
A reissue of an amusing 1931 work by this British author that describes the strange doings among rural villagers and how they’re affected by the arrival of an outsider.
“Country people do like oddities,” Powys writes in this wry allegory. “There would be no pleasure for them if all their neighbors were ordinary.” One day in the English village of Dodder, Death misplaces the parchment with his latest orders to “unclay” two people. Joe Bridle finds it and sees his name and that of his true love, Susie Dawe. Joe’s Aunt Sarah thinks she is a camel, which suits Mr. Balliboy, a man who decides he would like to marry a beast of burden. Nine-year-old Winnie, who has an answer for everything, sets her cap for Mr. Solly, who believes women are turnips and other vegetables. The Rev. Hayhoe believes anything by Jane Austen “to be almost as necessary to salvation" as the Bible. But why is the mysterious Tinker Jar weeping? And what message does Winnie receive from the Angel Gabriel? Powys (1875-1953), brother of the novelist John Cowper Powys, gained some fame for the 1927 novel Mr. Weston’s Good Wine (a phrase from Austen’s Emma), in which the title character, who is apparently God, visits a rural village. This novel follows a similar parablelike pattern, with Death in the supernatural role. The plot loosely follows three men’s pursuits of Susie while the author observes the oddities of innocents, eccentrics, and grotesques. The villagers often dwell on amorous activity that ranges from arcadian to earthy to droit de seigneur and one suitor’s sadistic bent. The voice is satirical but generally gentle, even bumpkin-esque, and sometimes precious, calling to mind Swift, Twain, Austen, and Jerome K. Jerome. It manages masterfully to cover the spectrum of human failings, from petty to vile, with insight and humor.
A delightful entertainment with a wit too rarely seen now in fiction.Pub Date: Nov. 26, 2018
ISBN: 978-0-8112-2819-0
Page Count: 336
Publisher: New Directions
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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