by Thaddeus Rutkowski ‧ RELEASE DATE: Jan. 15, 2016
Insouciant, twee, and aphoristic, Rutkowski’s voice handily skewers stupidity.
Rutkowski’s new flash-fiction compendium covers the gamut of hipster angst.
These 86 stories, most no longer than a page, resemble prose poems in that they highlight a single motif. Plot and storytelling play second fiddle to an Oulipo-esque obsession with language and wordplay. Puns abound, testing the average Anglophone’s tolerance for such contrivances: “When I hear ‘ice pack,’ I reach for an ice pick” (“Freon Drunk”); “Greekness, not Geekiness” (“If I Were He”); a linkage of “tantric” and “tantrum” (“At the Ayurvedic Center”). The proliferation of M’s in “McDonald’s Mania” goads McDonald’s own alliterative copy to hilarious extremes. Alliteration renders scatology sophisticated in “Caught in the Worst Way.” With additional insights bespeaking, perhaps, the perspective of maturity, Rutkowski reiterates themes and episodes covered in his earlier work (Haywire, 2010, etc.). These include tremulous childhood, subpar education, soul-sucking employment, the artist on the margins, the Asian-American experience, urban life, and the transgressive joys of tobacco. Stories often involve a turn that morphs the mundane into incipient madness, as in the OCD manifesto “Departure Checklist.” The unnamed first-person narrator common to all these short-shorts evinces alienation as he observes how his childhood pets’ feeding habits very closely resemble his own (“Pet-Food Dishes”), remarks on the vagaries of outdoor plumbing (“Our Basic Outhouse”), and imagines the palate of a dung beetle (“This Is the Shit”). Underwater real estate ownership is deplored in “Our Place.” In “Fuck the Dumb,” Rutkowski indulges in one of his favorite pursuits: disparaging literary conferences. A few stories, though, read like writing exercises picked up at those same conferences: “In College” begins every sentence with “I liked” or “I didn’t like.” In “UFOs,” each paragraph leads off with some variation of “The saucer man led us all away,” a device evoking a sestina or villanelle. As with a poetry collection, the stories here give up their full riches only on repeated reading.
Insouciant, twee, and aphoristic, Rutkowski’s voice handily skewers stupidity.Pub Date: Jan. 15, 2016
ISBN: 978-1-941550-58-8
Page Count: 124
Publisher: Spuyten Duyvil
Review Posted Online: Jan. 14, 2016
Kirkus Reviews Issue: Dec. 15, 2015
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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