A monstrously important message.
Divisions are as arbitrary as you want them to be.
When an oblivious monster walks down the beach trailing a stick in one of their tentacles, they leave behind a line in the sand. It’s a line that doesn’t mean a lot to many of the other colorful monsters on the beach, but its existence suddenly divides a green, aquatic-looking monster hunting for shells and an orange monster with eyes attached to antennae. Their attempts to cross the line seem initially to be blocked; each takes umbrage at the other’s behavior, and the literal line in the sand takes on metaphorical qualities. Their frustration leads to fighting, and the line deepens—until efforts to swat away a bee cause a sand-kicking tussle that ultimately removes the divide. With the line gone, the two monsters at last acknowledge their foolishness and share a laugh and a hug. Although it’s told wordlessly, the story speaks volumes of imagined differences and the negative impact of imposed divisions. With the right guidance from savvy educators or caregivers, this one will be a valuable springboard for real-world conversations. The artwork uses bold pops of color and geometric designs to tell an elegant, profound story. (This book was reviewed digitally.)
A monstrously important message. (Picture book. 4-6)Pub Date: Sept. 13, 2022
ISBN: 978-1-77147-570-9
Page Count: 40
Publisher: Owlkids Books
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
PERSPECTIVES
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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