by The Brothers Grimm illustrated by Bernhard Oberdieck developed by Mark Holme ‧ RELEASE DATE: March 14, 2012
The developers would do well to either give this app a major overhaul or put it out to pasture.
A disappointingly flawed version of the classic Brothers Grimm tale.
The storyline in this effort sticks quite close to the original: An aging donkey, dog, cat and rooster all flee from their abusive masters. After a couple of encounters with human thieves, the animals settle in a cottage where they live happily ever after (though they never make it to Bremen). Oberdieck’s lovely illustrations are bathed in warm, muted tones, making the artwork by far the app’s greatest asset. The technological elements are almost all illogical or only marginally functional, though. There’s a story map that corresponds to numbered sections, but it takes far too long to decipher. Interaction is scant and repetitious. The most problematic issue is the “record me reading” feature. Small signs at the bottom of each screen labeled “page” and “paragraph” record the reader’s voice when tapped, but they are activated for predetermined segment lengths (which are not communicated to the reader), and there's no clear play-back control. There are a few other worthwhile elements, but they're hopelessly lost in the myriad technological and navigational quandaries.
The developers would do well to either give this app a major overhaul or put it out to pasture. (iPad storybook app. 4-7)Pub Date: March 14, 2012
ISBN: N/A
Page Count: -
Publisher: Mark Holme
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: May 15, 2012
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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