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THE SHOEMAKER AND THE ELVES

AN INTERACTIVE CHILDREN'S BOOK

With the thumbnail page scroll and the ability to turn wooden text and narrative off, kids can easily navigate and enjoy...

This classic tale of karma, retold in rigid rhyme and re-tooled with a different moral than the original, will enchant more with its activities than with its storytelling.

While there is passing mention of his generosity on the first page, the Grimms' humble shoemaker who shared his good fortune with those less fortunate is nowhere to be found here among the musical shoes and creaky shelves. This shoemaker sells his shoes "for a lot of cash" and says, "if I work hard...I will be rich"—even though it is clear that he's not the one who is making the shoes! Illustrated in warm hues, every page is rich with touch animation, and the real charm of this app lies in the variety of interactions it offers. Kids can toss around all the tools in the shoe shop, open doors and windows, light and extinguish candles and even clear away cobwebs. All of the characters, right down to the mice in the corner, move and play, sigh, snore and even dream. The musical-shoes keyboard is tuned to sound great no matter how it is played, and many pages have features that respond to tilting the iPad.

With the thumbnail page scroll and the ability to turn wooden text and narrative off, kids can easily navigate and enjoy what this app has to offer. (iPad storybook app. 4-7)

Pub Date: May 13, 2011

ISBN: N/A

Page Count: -

Publisher: TabTale

Review Posted Online: June 12, 2011

Kirkus Reviews Issue: July 15, 2011

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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