Third-rate art, storytelling and software design put this at the very bottom of the slag heap.
Low production values, generic interactive effects and a chopped-up, poorly paraphrased text sink this version of the cautionary Brothers Grimm tale.
Warning her little ones that “there’s a scary wolf in the forest” (though the cartoon illustrations set the story in a densely populated urban setting), Mama Goat leaves on an errand. Enter the wolf, dressed in jeans, a wife beater and a ’do rag, claiming to be their mother. Failing to gain entrance at first and somehow intuiting that his voice doesn’t sound like hers, the wolf visits a blacksmith who “made it very soft” (one can only wonder how). He eventually eats most of the kids but ultimately drowns in a “well” (actually a park fountain) after Mama Goat replaces them (offstage) with rocks. The brief text is available in English and Russian. The English text is awkward, and several words are mispronounced by the heavily accented narrator—whose voice is also frequently overwhelmed by the loud background music. Taps on various pages activate random beeps from passing cars, loud birdsong and panicky bleats from both the kids and, oddly, their toy blocks.
Third-rate art, storytelling and software design put this at the very bottom of the slag heap. (iPad storybook app. 6-8)Pub Date: July 14, 2011
ISBN: N/A
Page Count: -
Publisher: WE ARE FACES
Review Posted Online: Aug. 15, 2011
Kirkus Reviews Issue: Sept. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fair choice, but it may need some support to really blast off.
This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.
Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.
A fair choice, but it may need some support to really blast off. (Picture book. 6-8)Pub Date: July 31, 2018
ISBN: 978-1-338-18949-0
Page Count: 32
Publisher: David Fickling/Phoenix/Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
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