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VANISHING POINTS

Throughout this Australian writer's harsh-to-playfully satiric novels (Hunting the Wild Pineapple, 1991, etc.), the massive idiocy of institutionalized greed—an individual's or a country's—is dismembered sinew-by-socket. Here, in two novellas, two solitary ones observe Evil on the march, and both have moments of smashing revenge. Both ex-academic Mac Hope, divorced and over the middle-age hill (in ``The Genteel Poverty Bus Company''), and Julie Truscott (in ``Investing the Weather''), married to the awful Clifford, find their evil encapsulated in one nasty, crude, and cruel personage, the scourge of civilized values and of the purity of the natural world—the Developer. In this case, Clifford. It is Clifford who is ``turning into a plastic Disneyworld'' pristine islands like the one opposite Mac's hermitage where Mac courts solitude and peace. When Mac blasts music (Wagner or Bartok are good choices) across the water at three in the morning—sometimes to slap back at the Club Med-type of disco beat—the battle is on. Mac will lose his own island, of course, while he still muses on the nature of solitude and his earlier search with lonely others in his bus-tour days—and in spite of help from another lonely isolate, a kind of young scholar gypsy who leaves before Mac heads for ``the void.'' Meanwhile, Clifford's wife, Julie, hands philandering Clifford a blow when she simply leaves the house and three kids to him and takes on a journalist's job. But rankling cruelties and loss of the kids bring her to despair—and eventually to a small mission run by three saintly nuns in a pure and quiet semiwilderness. Then comes Clifford, resort plans in his pocket. Clifford's end is quite horrible—and satisfying. A bit like the wickedly fun and satiric Fay Weldon. Sometimes cerebrally overengaged in style, but always fresh and inventive.

Pub Date: Sept. 16, 1992

ISBN: 0-399-13770-X

Page Count: 240

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1992

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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