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STRANGEST ANIMALS

From the American Museum of Natural History Easy Readers series

Plenty of eye candy but low on nutritional facts.

High-quality photography compensates, at least in part, for inadequate commentary in this diverse gallery of exotic creatures and behaviors.

In the sharp, bright pictures, an alien-looking anglerfish dangles its glowing lure, a hagfish coils within its cloak of icky slime, and a mimic octopus miraculously morphs into an apparent flounder. These and 13 other land and sea animals pose in riveting close-ups. Alas, the text is not quite so clear. Along with leaving budding naturalists to sound out words like “anemone” and “arowana” on their own, Feldman adds rhetorical interjections (“What a strange way for a bird to get a meal!”) rather than systematic information about each animal’s range or physical characteristics. She also both fails to explain what an arowana actually is (the close-up in this case being a little too extreme) and, with the line “a lizard can break its tail off and run away,” misleadingly implies that any lizard can do this. Mary Kay Carson’s Deadly and Dangerous (978-1-4549-0629-2), publishing simultaneously in the same series, offers even more rousing visuals (notably, in this case, gruesome scenes of predators chowing down) and a somewhat more informative narrative text. Instead of much-needed leads to further information, both volumes close with an unrelated profile of a staff scientist at the American Museum of Natural History and feature a link to the publisher’s site.

Plenty of eye candy but low on nutritional facts. (Informational early reader. 6-8)

Pub Date: Oct. 1, 2013

ISBN: 978-1-4549-0636-0

Page Count: 32

Publisher: Sterling

Review Posted Online: Aug. 13, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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THEY ALL SAW A CAT

A solo debut for Wenzel showcasing both technical chops and a philosophical bent.

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  • Caldecott Honor Book

Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?

The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.

A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4521-5013-0

Page Count: 44

Publisher: Chronicle Books

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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