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THE FIVE O'CLOCK FOLLIES

WHAT'S A WOMAN DOING HERE, ANYWAY?

An engrossing portrait of a woman among men in wartime.

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A freelance writer struggles to find her place among hard-nosed newsmen covering the Vietnam War in this depiction of wartime journalists.

In her debut, former Associated Press editor Tuohy describes the Vietnam War through a journalist’s lens. Freelance writer Angela Martinelli arrives in Saigon in 1968, wearing her “greenness” in the form of high-heeled shoes and a gorgeous mane of red hair. As one of the few women correspondents in a war zone, Angela is greeted with misogyny, skepticism or disdain by her male colleagues, except for Nick, who works for a Chicago newspaper and gives her the benefit of the doubt. She soon proves her merit and bravery in the middle of a covert operation in Cambodia, surviving capture by the Viet Cong, living in a bunker during a siege and chasing truths that the military denies and her fellow reporters doubt. Angela also finds romance in the midst of this chaos; eventually she must choose: her career or love. Angela’s determination is commendable as she forges ahead in spite of incredible dangers and an unconscionable lack of professional support. She’s a model for young women seeking equality in male-dominated professions. Some portions of the book are slow, but they accurately reflect the downtime journalists endure between scoops—hanging out at bars, drinking Scotch, swapping gossip and waiting for the next gig. The story picks up steam when Tuohy describes pivotal moments of the war: the Tet offensive, the siege of Khe Sanh, soldiers on the line and the horrific injuries they sustained, even the psychological torment of walking endlessly through the jungle. The action is riveting and the writing is clear, detailed and highly readable.

An engrossing portrait of a woman among men in wartime.

Pub Date: Oct. 15, 2012

ISBN: 978-0984779918

Page Count: 368

Publisher: Calliope

Review Posted Online: Feb. 9, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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