The snappy dialogue and plot you’d expect from a veteran dramatist plus the rich exploration of character that novels are...
A rare honest story about love, ambition, and compromise.
“But what is a demimonde, anyway?” asks Alison Moore in the opening line of this novel by Rebeck, the creator of TV’s Smash and a widely produced playwright. Rebeck’s insider knowledge of the demimonde of entertainment and celebrity is put to excellent use as she tracks the upward trajectory of a young actress from Cincinnati, from cattle-call auditions for a two-line role through a lead in a television series and to the brink of Hollywood superstardom. Every type in showbiz is unmasked here, from the writer—“It’s only two lines but there has to be stakes”—to the columnist—“Hi Jessica, you look fantastic! Can I grab you for a few minutes to talk about your know-nothing role as a gun-toting whore in Evil Dead 12?”—to the actress herself, “light-headed with hunger all the time” on the orders of her agent: “Beautiful food is for you to look at, and other people to eat.” While her stock goes up careerwise, Alison’s personal life is in free-fall. The decision to move to New York abruptly ended her relationship with her high school sweetheart, Kyle, and their inability to recover ends up warping both of their lives. An idealistic doctor and a committed Catholic, shellshocked Kyle ends up in a pediatric practice catering to entitled suburbanites and, worse, married to a woman he doesn’t love. Every time Alison comes home for a visit, they run into each other and bad things happen. Though she’s something of a black sheep in her extended family, where grandchildren Nos. 8 and 9 are on the way, Alison identifies deeply with the Midwest itself, its culture, its values, its nice people with good manners. Even the parties are better, in her opinion.
The snappy dialogue and plot you’d expect from a veteran dramatist plus the rich exploration of character that novels are made for.Pub Date: Feb. 23, 2016
ISBN: 978-0-399-17288-5
Page Count: 384
Publisher: Putnam
Review Posted Online: Nov. 16, 2015
Kirkus Reviews Issue: Dec. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
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