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VIETNAMERICA

THE WAR COMES HOME

A sympathetic, anecdotal look at the sad stories of a dozen or so Amerasian children of the Vietnam war, by a writer who feels the need to include himself in his narrative. The tens of thousands of children born to American servicemen and Vietnamese women during the war in Vietnam are a tragic legacy of that conflict. The children—known in Vietnam as bui doi, ``the dust of life''—face vicious political and social discrimination in the land of their birth. The situation is not much better for many of the 20,000 Amerasians who have emigrated to this country in the last decade and have found it extremely difficult to meld into American society. Only a tiny fraction of them have bee reunited with their fathers. ``Rejected by their Vietnamese motherland, they feel equally unwelcome in the land of their fathers,'' Bass (Camping with the Prince, 1990) notes. He made two trips to Vietnam, in 1991 and 1992, and spent some time at Amerasian refugee center in Utica, N.Y., to tell the stories of about a dozen Amerasians, most of whom emigrated to this country. In writing these compelling stories, Bass relies on information from his subjects—information, he admits, that is often unreliable: ``Many of the stories in this book may be untrue.'' Even more disconcerting are Bass's breezily written background sections, which are sketchy at best, largely undocumented, and marred by several errors (one example: 2.8 million Americans served in Vietnam, not 9 million, as Bass writes). Worse, the author injects himself into his story, with travelogue details about his adventures in Vietnam and accounts of his interactions with Amerasians and advocates for the refugees. In one grievous example, Bass describes his one-man campaign to help some Amerasians in Vietnam, noting this his hastily arranged actions backfired and may have gotten at least one young woman ``in trouble'' with the Vietnamese authorities. The Amerasian story deserves to be told in a better- researched, less personalized manner.

Pub Date: April 30, 1996

ISBN: 1-56947-050-2

Page Count: 348

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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