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HERETICS AND HEROES

HOW RENAISSANCE ARTISTS AND REFORMATION PRIESTS CREATE OUR WORLD

The breadth of Cahill’s knowledge and his jocular style of writing make for a remarkable book.

Cahill (A Saint on Death Row: The Story of Dominique Green, 2009, etc.) sets his delightfully analytic mind to the major transformations prompted by the Renaissance and Reformation.

This sixth book of the author’s wonderful Hinges of History series shows how events and a change in philosophical views can uproot and reconfigure entire civilizations. Cahill begins with a little-known insurrection of the Sicilians against the French in the 13th century. They annihilated the French and their fleet and thwarted an invasion of Constantinople, which halted an East/West reunification under a single pope, giving rise to nation-states and, ultimately, Protestantism. The coming of the black plague decimated the peasant population, investing them with the economic power to demand an end to the rich/poor gap and giving birth to the middle class. Cahill illustrates societal changes as reflected in the writings of Dante, Boccaccio and Erasmus, “the Jon Stewart of his day.” Artists from Botticelli to da Vinci to Caravaggio bestowed their gifts upon us as iconic religious imagery was replaced by truer visions of flesh, warmth and perspective. Luther’s first vernacular printing of the Bible not only gave everyone the chance to learn to read and think, but actually helped developed written language. The author makes it seem so simple to connect the dots, as the 14th through 16th centuries witnessed changes to every facet and walk of life—from the expulsion of the Moors in Spain to the emergence of nations and massive religious upheaval.

The breadth of Cahill’s knowledge and his jocular style of writing make for a remarkable book.

Pub Date: Oct. 29, 2013

ISBN: 978-0-385-49557-8

Page Count: 368

Publisher: Nan A. Talese

Review Posted Online: Aug. 25, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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