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SELF-PORTRAIT IN BLACK AND WHITE

UNLEARNING RACE

An insightful, indispensable memoir.

A standout memoir that digs into vital contemporary questions of race and self-image—among the most relevant, “What is proximity to the idea of whiteness worth and what does color cost? And the reverse?”

Williams (Losing My Cool: How a Father's Love and 15,000 Books Beat Hip-Hop Culture, 2010), a 2019 New America Fellow and contributing writer at the New York Times Magazine, moves away from the “Black Man” label to offer a chronicle of why he is aiming to think of himself as “an ex–Black Man.” Raised in the 1980s in New Jersey by a “black” father and a “white” mother, the author grew up thinking of himself as black. The trigger for writing this lyrical, incisive memoir was the birth of his daughter in 2013, followed by a son. They are also mixed-race given the author’s marriage to Valentine, a Frenchwoman. (The family resides in Paris.) Though Williams is determined to move beyond categorizations of “black” and “white,” in order to communicate clearly in this memoir, he knows he must rely heavily “on our language’s descriptive conventions,” which he explains in the opening author’s note. We see the author’s psychological struggle as he thinks through the conundrums, including what the confusion might mean for his white-looking children. In the hands of a lesser writer, the back and forth of his pondering could have sunk the memoir. However, it succeeds spectacularly for three main reasons: the author’s relentlessly investigative thought process, consistent candor, and superb writing style. Almost every page contains at least one sentence so resonant that it bears rereading for its impact. The lengthy prologue is grounded heavily in discussions of race as a social construct. Part 1 takes readers through Williams’ adolescence, Part 2 through his marriage, and Part 3 through dealing with his family on both sides. In the epilogue, the author speculates on “the shape of things to come.” Shelve this one alongside Kiese Laymon’s Heavy, Mitchell Jackson’s Survival Math, and Imani Perry’s Breathe.

An insightful, indispensable memoir.

Pub Date: Oct. 15, 2019

ISBN: 978-0-393-60886-1

Page Count: 208

Publisher: Norton

Review Posted Online: July 7, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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