by Thomas Childers ‧ RELEASE DATE: Feb. 6, 2003
The author says he eschewed traditional historiography because he wanted “to put readers in the action.” Despite some...
World War II historian Childers (Wings of Morning, 1995, etc.) employs with some success the techniques and diction of a novelist to tell the intertwining stories of an American B-17 pilot, a French schoolteacher, and a leader of the French underground.
The narrative begins in late 1943 as schoolteacher Colette Florin joins other companions in German-occupied France to direct the nocturnal landing of a small Allied plane. We then learn the background of Pierre Mulsant, a Frenchman trained in England for resistance work. Finally, we meet Roy Allen, a B-17 pilot from Philadelphia, who is shot down over France shortly after D-day and fears he is the only survivor. Florin hides the American in a room over the classroom where she teaches; Allen, unable to keep quiet, sings popular songs audible to the children below. Propinquity encourages the young people to develop an uneasy affection for each other. Both Allen and Mulsant are eventually nabbed by the Nazis in separate actions; both end up in Buchenwald. The Germans execute Mulsant, but Allen is bounced from camp to camp, enduring the agonies, cruelties, illnesses, and indignities so common in those fetid facilities. After the Liberation, Allen and Florin reunite briefly and share a passionate kiss before he returns to America, his wife, and the son who was born while he was a POW. Despite the kiss, it had been a chaste relationship, asserts the author, who notes that Allen’s widow and Florin continue to correspond regularly. (Roy died in 1991.) It’s evident that Childers (History/Univ. of Pennsylvania) knows his stuff: the Notes and Bibliography bristle with significant sources, and the entire volume communicates an impressive familiarity with the events of WWII, with the hellish milieus of concentration and POW camps, and with source material in English, French, and German.
The author says he eschewed traditional historiography because he wanted “to put readers in the action.” Despite some clichés and occasional mawkishness, he has indeed fashioned a crisp, compelling narrative. (8 pp. b&w photos, 3 maps, not seen)Pub Date: Feb. 6, 2003
ISBN: 0-8050-5752-8
Page Count: 352
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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