Muck and mess make good, clean fun
A paean to filthy, sticky, beloved stuffed animals everywhere.
Flora and Bear are nearly inseparable, but then comes a dire transformation. “I love you, Bear,” she explains. “But Mommy says you are smelly and full of stains and you need a wash.” As he spins in the washer with faithful Flora seated outside, every stain conjures a memory, whether of hiding in fallen leaves or snacking on jam toast. The washing done, Flora finds that Bear no longer looks, smells, tastes or even feels like himself. It is a problem remedied by some additional play. When the child worries that Bear will no longer love her after she is washed and clean, her mother reassures her that he always will. Winning watercolors nicely set memories within a circular washing-machine-window–shaped frame. As for the characters themselves, Bear is subtly expressive and Flora an admirably active young woman. While not every rhyme in the text is perfect (“trees” with “leaves”, “games” with “stains”), readers will have so much fun playing along with the two friends they’ll hardly notice. The endpapers depicting Bear engaged in every activity, from sticking his paws in yogurt cups to finding himself belly-down in puddles of paint, drill home the fun to be had with a stuffed little friend.
Muck and mess make good, clean fun . (Picture book. 4-8)Pub Date: May 14, 2013
ISBN: 978-0-7636-6486-2
Page Count: 32
Publisher: Templar/Candlewick
Review Posted Online: March 26, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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